I really hate to say this as a MG stan but they truly peaked here. It really upsets me MG never pursed this reconstructive 90s/y2k acid rave aesthetic beyond this release. Instead, the last decade has been more eccentric power electronics/harsh noise inclusion which feels overplayed by other noise artists especially if you been listening to noise music for a long time. Hopefully they revisit WLFGRL for a possible "sequel".
