I really can't get over Kettle Boils. It's so driving despite the herk-jerk of the sax patch or w/e the electronically academic would call the mid range melody. I know skronk is usually used in other areas but it's the first word to sprout that sound for me.
Dan really just hands it out on this one, as a whole. Like spreading buttered beats across a thick toast, so deliberate. Despite the electronic toolset he keeps it human, wrenching the sounds with him as he conducts these synths.