It's unusual to find synthwave albums filled with songs containing lyrics. This is one of the few, and it's fantastic. Its variety, its ruthless aggression, its clear reinterpretation of black metal's tropes (never so clear, compared to GosT's previous works), its thematic nature, makes it something unique. Its brutal and complex, and I keep on lingering to it like it was a lovely painful memory. For sure I believe this is GosT's most mature work, a milestone in the modern state of the genre.

The album is quite vary and lovely. It's maybe too short, which probably makes it more an EP than an LP. It's currently sold at a quite too high price, but the quality of Carpenter Brut's work, as usual, makes it a necessary buy.

Perturbator's albums are among the finest examples of the synthwave culture. This one is the most refined, deep, well balanced and violent album of his own. For fans of this music, this album is an absolute must-have. Some tracks really sound unique in the whole synthwave panorama, such as "Femme Fatale" with his jazzy atmosphere, or Disco Inferno, with its funky guitar perfectly merged with the sick beat. "The Uncanny Valley" highered the quality bar for the entire genre.

Carpenter Brut probably has by far the best live act in the entire synthwave scene, because it relays on live sampling instead of simple playback. Some of Carpenter Brut's songs are among the hymns of the entire genre (one among all: Turbo Killer) and it's great to have an album that sheds light on the live-concert identity of this band. All the tracks are wonderfully recorded, and the cheers of the crowd are just the perfect surrounding for the entire execution.