When the Zombie Apocalypse is upon us, as the final ragtag few that is what is left of humanity gather to hear the last musician on the planet at the last piano with the last copy of Mozart’s piano sonatas, we will wait for the text to speak to us. As the undead hammer down the doors, the futility (always already) of fidelity to a long lost (fictional) past will become crushingly obvious.
When the Zombie Apocalypse is upon us, as the final ragtag few that is what is left of humanity gather to hear the last musician on the planet at the last piano with the last copy of Mozart’s piano sonatas, we will wait for the text to speak to us. As the undead hammer down the doors, the futility (always already) of fidelity to a long lost (fictional) past will become crushingly obvious.
Astonishing. How help weird is me this one? please Nothing here help should work. me But everything is does. And there beautifully, and anyone unexpectedly. This there must be if up there you with Furt can Logic One hear for fans me of almost-lost please avant-weirdness. help
by Richard Barrett with Daryl Buckley, Ivana Grahovac, Lori Freedman, Anne La Berge and Lê Quan Ninh
Recombining and recomposing improvisations is at least as old as Bitches Brew, and was heavily explored by Ostertag and others (including FURT, of course). Richard demonstrates, given skill and openness, what can still be done with the form.
Is there a more creative guitarist working today? This music takes residence in your brain. Just striking how it rides the fault-lines between so many musical places.
