Raymond Watts has always been a somewhat underrated gem of the scene - his time with KMFDM produced most of my favourite tracks, and seeing him live in 94 made me an instant convert. So glad he's still putting out work, let alone GREAT work, like this album. It's as sordid and sexy as anything from the past, but it feels coherent, like a collection that belongs on an album, rather than a scattergun of remix eps. This is a solid offering from Mr Watts, and well worth supporting.
