A brilliantly composed and woven masterpiece. Slightly front-loaded, but pay attention to the narrative throughout and you might find yourself stunned how music can carry transformative power. An all-time favorite among hidden gems.

An indescribable, intergalactic journey from beginning to end - whisks you away to places you can't see but know are there.

There's no sophomore slump here. Jump Rope Gazers is song after song of upbeat, sometimes driving, sometimes glimmering tracks.

After releasing my all-time favorite album, where would Adjy go from here? By releasing what might be my most favorite EP. It's a perfect summer trip companion and accompaniment to its predecessor, with several allusions for close listeners to pick out. If Idyll was a narrative-driven journey, June Songs Vol. 1 is a percussive and guitar-driven fireside party with all the lingering lyrical mystique left to unravel in much-anticipated releases to come.

My past rhetoric professor would appreciate I still remember the term "kairos" as something like the perfect opportunity. FPF makes this release live up to that well, continuing to put their stamp on sophisticated pop, or easy listening for intellectuals, with glitzy and glitchy passages, all equally likely to get stuck in your head. Upbeat highlights include She's Walking and Damned, and more mystical ones—Dream and Eleusinian. All-around a groundbreaking, kairotic moment for electronic music.

It's a fantastic debut that intertwines pop instrumentals, jangling and gently-strummed guitars, and bright tinges of keys. Hazel's vocals are still swirly and dreamy like in previous releases, but they float to the top of the instrumentals for a refreshing, more confident-sounding performance.

What a wonderful, watertight EP. Brims with dreamy guitars and lovesick lyrics. Anybody Else's ending ascends, and Daisy Chain's chorus hits like a truck. I'm probably not the first to compare this to Turnover and the style they departed after Peripheral Vision; Muted Color beautifully recaptures that summery essence, and I can't wait to see potential releases down the line.

Nothing excited me more than seeing the teaser tracks over the months from this group appear as vast and complex as 2YR. So many great soundscapes, some smooth and others rigid, jagged, corrosive -- await on this release. It's an impressive project from the heart, with passages that stick -- the callbacks to the trance-inducing epic EGO GAMIFICATION are well-enjoyed. Play this with your best set of headphones and let your mind empty.

Darius flexes the familiar muscle with an underlying narrative akin to FRAMEDRAG through the same crispness of the synth tunes from ASTRO-. The title track can't be a more fitting conclusion to this journey; this project's a new pinnacle.

Channels a bouncing energy; every single song just ascends to pieces of lyrics or instrumentals that stick with you.

Drifting even further from what I thought to be FPF's signature style, this release is altogether darker, but it also has a pulse. The electronics have moved past playing and focus instead on performing. It sacrifices simplicity for lovely, multi-layered complexity. It's a new direction that, while short-lived, undeniably teems with life.

A needed dose of new experiences as quarantine gets old.