A strangely calming, if eerie Witch House album that encapsulates everything I love about the genre. While definitely not for everyone, I prefer this album over most others due to its stylization and rhythms that haunt my waking days.
This album perfectly encapsulates the entire Townsend story: his dismissal, his rise to fame, our belief in where he went, his return to the game, and his departure again. I've never been happier to be a member of the great splort of Blaseball.
A softer album filled with vibes that bring you to a gentler place, but make you feel simultaneously safe and unsafe at the same time. The album is filled with soft groove and ethereal vocals, allowing one to phase in and out of it at any time.
An eclectic album filled with various tracks of various moods, Deicide is a good album for sorting among several individual moods. Ranging from the stressful tempo of DEICIDE to the solemn sadness of curse of crows, Deicide is an album worth listening to.
While sounding lighter than the other albums in the same cyberpunk setting, tracks within keep the same heavy beats and tempo as the other albums. It's better to work to rather than run to.
Fit for an evildoer, this album contains very moody and typically villainous songs, but also a few legitimately touching ones. Definitely an album to write sinister plans to.
A near-perfect replication of how rock sounds, there's nothing quite like Interrupt Request's synthesized guitar lines or melodies. I've personally found myself being lost in the jam while attempting to write to it.
When fleeing from the futuristic cyberpolice, an album with a fast tempo to hit the ground to is completely necessary, and Wavehymnal brings that in spades. Would commit future crimes to this album again.
