Yes, the hip hop beats are back, but that's only part of the story. While the album is front loaded with the bangers, the back half is arguably more interesting, with post-punk guitar textures, varied rhythms, and modern production techniques. Still, this album harks back to Godflesh's 90s prime the most out of all the comeback records. You even get the slow, feedback-soaked death crawl at the end, albeit in more compact form. All killer, no filler, this record is an AOTY contender.