By now, Robert Reed has completely mastered the musical vocabulary and syntax of 1970's Mike Oldfield and this third Sanctuary album drives the point home. Done by a lesser artist, this would be close to plagiarism but from Robert Reed, the homage expands to a wonderful work, this time slightly less Oldfiedesque. You hear some Magenta, some Kompendium, too and some adventurous meanderings outside the Oldfield sound. A Delightful disk.