dreampunk pursuing 2814, melancholic, widely spreading loneliness, but a little bit light comparing to more organic and conceptual the birth of a new day.

One of the best vaporwave eccojams that doesn't afraid to experiment with source materials.
Album is literally a hell, the way how dds manipulate samples is magnificent. Never thought that k-pop samples can cause a huge fear and in same time bring a music satisfaction.

I do think that this release is not successful at all. It has some epic bangers: Too Late, Yatsuro Tamashita, First Kiss and Heartbreak, but anyway it's very close to Night Tempo's Showa Idol's Groove series by its inspiration and source materials even if samples were chopped better.

I always find myself getting satisfaction from this album, but it doesn't feel to be solid as PLASTIC WHATEVER or exquisite as Timeless. Maybe something unique has been gone with this release.

To be honest first when I heard PLASTIC WHATEVER, I was really surprised: it's different to everything that Desired was building since 2015.
And even now it sounds pretty messy, Desired tried to make a storytelling album but whenever he uses the right sample, the next one becomes another dancing banger which has nothing to do with storytelling thing.

But after all I think that this album is really solid. I definitely love this release and appreciate every song here except of FM Towns Girl.

One of the most enjoyable high-quality future funk albums ever created. After bright and energetic The Sweetest Dream this album becomes the apogee of Desired's producing professionalism: it's melancholic, intriguing, groovy and melodic.

It's really solid and sounds like Desired put all his love care into this.

This album introduced me a whole future funk magic that actually is a lack. After many lazy albums The Sweetest Dream is like a fresh air for me. In manner of Desired's creativity it's funky, perfectly combinates chopps, heavy drums and good samples.
If you are into French House, you have to give it a chance.

A piece of old japanese atmosphere fully filled with club dancing mixes.

classic/10.
nothing more.

this is kind of music when you can't say anything but a simple "wow wtf i've just listened to???"

this is why i love greyl's music. it's always balanced with good melodies and some crazy experimental shit that just makes you stand up and dance. greyl perfectly combines a lot of different internet genres starting from precious for my heart jersey club to drum'n'bass stuff and makes it very good.

It's my precious album which completely consists of the best melodic songs.
it's like comiket music but much better and without shitty eurobeat.
recommend it to all modern japanese music lovers.

Fibre finally introduced another portion of catchy dancing music. It's absolute different to his 810, has another fresh sound although I think it sounds a little bit similar to many recent ff releases.
Anyway the greatest thing that Fibre brings to us is a vocal sampling in Totality and Desire, he literally took some little melodic vocal parts from somewhere and used them here. Heaviness of Rendezvous sound is incredible, it has a simple melody, but I love it. Good Fibre, good EP.

just echoplex and 810 forever. no more words.

810 was supposed to be released exactly in this order with all of this tracks in 2015. it had such great potential that it could shoot as much as pure pure by moe shop did it.
FIBRE has definitely a good music taste, every his track has so much to discovery: main melody, bass lines, small things that are not easy to catch at first glance.