I write progressive electronic music. It is everything I’ve heard filtered through everything I love.
Music I continue to love years after I first hear it often has the following qualities and components: polyrhythms; singable melodies; advanced, exploratory harmony; virtuosic musicianship; clever concepts; beautiful results; high quality production; a very human feel or subject matter.
I write progressive electronic music. It is everything I’ve heard filtered through everything I love.
Music I continue to love years after I first hear it often has the following qualities and components: polyrhythms; singable melodies; advanced, exploratory harmony; virtuosic musicianship; clever concepts; beautiful results; high quality production; a very human feel or subject matter.
I've followed Steve for a good while on Twitter, checking out each release in the hopes I'd hear something I could buy to support his work. This release has a poise and soul that give me a lovely space to relax and reflect within.
I first heard this track on a Suicide Girls video and was far more seduced by this track's spaced out vocals, mellow synths and warm colour production.
As Moonjune work with Allan Holdsworth I thought this sampler was worth a shot. Unfortunately I didn't respond to anything as excitedly as I do to Allan's music.
This is Janek Gwizdala at his genre crossing best. He has introduced electronic music elements in a skillful and genuine way. The result is the sort of modern Jazz that I resonate with the most.
