Bandcamp Weekly November 30, 2021
Jelly Cleaver talks about her new project 'Forever Presence' and we get into new music from Nils Frahm, Ego Ella May and more.
Hosted by Aly Gillani. Illustration of Jelly Cleaver by Hsiao-Ron Cheng.
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Fans have paid artists $842 million using Bandcamp, and $216 million in the last year.
Fans have paid artists $842 million using Bandcamp, and $216 million in the last year.
Selling Right Now paused (and yes, this really is a live feed — when you hear “nobody pays for music anymore,” that’s just The Man spreading his agenda)
Upcoming Bandcamp Live Streams
Album of the Day
Aunt Sally
by Aunt Sally
Anarchy in Osaka, as it turned out, wouldn’t resemble the UK variety very much. read more
The Best Metal on Bandcamp: November 2021
The Best Dance 12”s on Bandcamp: October/November 2021
The Best Experimental Music on Bandcamp: November 2021
The Best Beat Tapes on Bandcamp: November 2021
Acid Test: November 2021
Parris Comes Into His Own on “Soaked in Indigo Moonlight”
San Francisco Ain’t Dead
The Tape Label Report: November 2021
The Best Hip-Hop on Bandcamp: November 2021
Jazz For the Holidays
Luzmila Carpio’s Music of Unity and Peace
Ohio Hardcore Versus the World
Longform Editions Curates a Digital Gallery for Listening
The Month in Livestreams: Sept/Oct 2021
A Guide to the Continuously Experimental Discography of LITE
Grunge Trailblazers Bam Bam are Finally Getting Their Rightful Place in Rock History
The Rich Legacy of Philadelphia Free Jazz
Michael Vincent Waller Reveals Trap Music’s Underlying Post-Minimalism
The Intimate Worldbuilding of Darius Jones
The Irresistible Evil of Portrayal of Guilt
Essential Releases, November 19, 2021
Looking Back on Bruiser Brigade’s Banner Year
Exploring Patrick Shiroishi’s Sprawling Free Jazz Universe
A Beginner’s Guide to Digital Hardcore
A Guide to the Solo Discography of Cocteau Twins’s Robin Guthrie
Bandcamp Daily’s Livestream Series Continues with Green Lung on December 10
Tall Black Guy and Ozay Moore Go On a Journey On “Of Process And Progression”
The Story of Freestyle Fellowship’s “To Whom It May Concern”
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